As a rule, the technical imperative of placing ads always accompanies the cultural discourse of "environment", illustrating a "close to nature" or "control of technical devices."
Both members of the opposition placement environment is structured the same practice of home stay;are two aspects of the same functional system of domestic space, but also in both senses of the game are implemented: for placement - this is a game function, which allows to combine the space so that the operation of labor were either exciting or economical cost of effort;for the environment - it privnosyaschy motives creative play of colors, materials, shapes ...
Black and white and natural-natural
paints traditionally filled with moral and psychological meaning.A man loves a particular color, it is a different color.Or the color is dictated by external factors - an event ceremony, social role.Or he is
elegance and Schick
This high-tech model with black wings and unusual façade surfaces of heat-resistant glass.Thi
affiliation of certain material - wood, leather, cloth, paper.But the main thing is that the limited form of paint, does not search the other inks, has no free combinability.Traditionally, the color of the object is subject to its inner meaning and the closure of its contours.Even in a free-ceremonial, as a fashion color to a large extent not comprehended from itself - it serves as a metaphor for certain cultural values.At the most simplistic level, the symbolism of colors "dissolved" in psychology: red - a passionate, aggressive, blue - a sign of peace, yellow - the optimistic ... Paints have their own language, as well as flowers, dreams, signs of the zodiac.
respectable bourgeois "chic" is not limited to the elimination of appearances in favor of the essence;so black, white and gray (metallized) constitute not only a minimum degree of brilliance, but also a paradigm of social and moral dignity "Standing" so valued in a society convertible values.At the same time the colors encountered in nature, are permitted and encouraged, but not necessarily in the "Metamorphosis" as: a prerequisite for high-quality kitchen furniture is a high-tech processing, for example, wooden décor elements.
Due to the fact that the furnishings in the era of variable thinking became movable elements in a decentralized space, and their structure has become lighter, for the manufacture of wood is used, more supple plan of the Creator (teak, rosewood, ebony).And, as a rule, these coloring species no longer coincides with the traditional color of wood, but it appears in lighter or darker embodiments, often in combination with polishing or varnish (or, conversely, deliberately "rawness");In any case, the color and material are at the mercy of the designer or the "active" user, and the whole thing becomes the subject of mental manipulation, creative human potential.
It is worth noting that the designers of kitchen furniture are not limited only by combining materials and offer the user to select a color version of his vending solutions of various elements.Dressing is carried out and "play" lacquer, allowing through a combination of specular and glossy varnishes and enamels applied "lace" on the front surface.
On the way to a compromise with nature
course, modern thing - the thing is primarily functional.But it would be completely wrong to say that the functionality stifled a symbolic aspect of the objects surrounding us.It is not always explicitly expressed, but is present in the "image" allowing humanize realm of pure function.This is especially noticeable in an effort to compromise with nature by saving in design compositions of natural materials and even giving them the values dominant elements.
Facades coated with red lacquer with gloss, and metallic surfaces are perfectly combined with all the decorative details dishes.Metal edging emphasizes urbanism model.
By analogy with the peculiarities of the perception of color schemes can be said that each of the dishes used in the production of the material can be associated with psychological significance, focuses attention on how the material performs a functional purpose.Thus, for example, involves a rigid metal dissection space, wood - shelter and protection, clear glass - control, while frosted - puzzle for the uninitiated, and "overcoming" the secret owner of furniture.In this case there is currently a mixture of styles in the design of space kitchens inexorably entails and wider than before, the combination of materials used in the manufacture of kitchen furniture.No one is surprised by metal pens which have become customary in combination with wood doors of cabinets and drawers, or a combination, used in the manufacture of kitchen fronts as "warm" elements veneered framed framework of the "cold" aluminum, or stainless steel.
Designers modern kitchens tend to bring in their own creations elements indicating inseparable connection between man and the natural world.Communication, set questioned the age of high technology and perceived today only as a nostalgic desire to break away from the conventions of urban oppression.These elements include countertops need to so-called "rock type" whose side surfaces are handled either manually (if the countertop is made of natural granite), or technology imitating chips typical of manual stone scabbling (if the countertop is made of artificial stone).
However, technological progress allows consumers to look beyond the world of natural materials.The current widespread use of composites is due largely "plasticity" of these materials is not always achieved using natural substances.Resistant to corrosion (primarily acids) are easily polished, allows you to update the appearance of the coating, these materials are today indispensable in the manufacture of countertops and side panels of the furniture items ensemble, such as bar counters or extracts.Moreover, modern composites produced on the basis of natural minerals and acrylic resin, open up the possibility of furniture designers create new forms, the most striking example of which can serve to gain popularity seamless surfaces (eg, sink, countertop alloyed composite, do not change the topology of the surface of the workingspace and allow you to create perfect plane).Produced in the form of sheets, artificial composite then combines special heavy-duty adhesive.In such compounds, no visible seams and joints, so the impression that the entire three-dimensional object is a monolith.Designers also have the unique opportunity to not limit yourself to the size and shape.In addition, seamless surface is more hygienic, since eliminated critical points of contamination, what usually seams and joints.New synthetic materials and have led to the emergence of new trends in the design of furniture itself.Today is very popular designs, is largely determined by the availability of practical composites, it is the installation of a very thin, no more than 1.5 cm worktop.Stainless steel is often used in the design of such an element kitchens as alzatina (a side wall surface), successfully completes the space defined by the composite-color rhythm.Moreover, recent tendency to create ledges high, up to 17-18 cm, in combination with a thin top, opposite replaced combination - solid worktop in combination with the narrow rim.In addition, the development of design ideas and manifest desire of designers to design thick cabinet doors (30 mm) and hinged shelves.So developers are taking on a symbolic level kitchens emphasize reliably create their furniture and its durability.
no less rich in connotative number generated by the glass - one of the most mysterious of the materials used by mankind since time immemorial.But at the same time the glass has a colorful history and is admired inner wealth that allows to concentrate in the subjects of this material creativity of the artist.The increased use of glass in the manufacture of, for example, hinged doors designs in the kitchens of the latest models is made possible by the development of technical means for achieving various properties of this material.Glass with mirror effect, with a metallic coating (the most common bronze, although technological limitations for no fantasy - a metallic luster may have other colors), treated with paint spray technology, occur frequently • and very convenient to set a special spatial rhythm.At the same time the most important and timeless characteristics of glass is its harmony with the light - light reflected glare-ing surface stopped colorful coating on glass, missing the glass transparent and frosted glass corrected.
It luminosity makes attractive to designers of tempered glass, which looks naturally as the material for the manufacture of countertops.In addition to its strength and it has unique optical properties: in contact with the rays of light on a surface, it takes the effect of inner glow thanks to technological changes (hardening temperature - not less than 600 ° C) the structure of their material.At the same time it makes the glass and symbols "frozen ™», «freezing» Glass supremely embodies the fundamental duality of "environment" - and a distant closeness, intimacy and rejection of her communicativeness and nesoobschitelnost.The metaphor of the glass - this extravaganza frustration and craving temptation.Glass forms without constant transparency: you can see through it, but you can not touch it, as it were hints that a moment can be stopped to fix and extend in a fluid time, as a gesture of a man always comes across an insurmountable border, which - paradoxically - not for look.